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My new Namiki / Pilot Vanishing Point Fountain Pen — A Review

Originally I was reluctant to post another review for a pen already reviewed 28 times on the Fountain Pen Network, but a close look at the index showed that there are only three reviews of the older edition of this pen from the 1990s before Pilot took over all the branding. I would add for your information that my personal bias for fountain pens is daily-writing style workhorse pens, in original vintage.

I’ve been wanting a Namiki / Pilot Vanishing Point Capless fountain pen since I first heard of them, but I had never pursued it very seriously, priorities being what they are. But one day during a visit to World Lux (nee Seattle Pen) I struck up a conversation with Todd Craver — an enthusiastic FP writer from way back — about this and that and what pens I have on my lists. I must have seemed excited about the VP because at one point he offered to sell me a ‘94 Vanishing Point from his personal collection at a great price. Obviously I said Yes!

This pen came in a nice Pilot box with the manual and even the original ink cartridge and cartridge cover. The box itself isn’t going to win any design awards, but it has a pleasing rubber cover and does the job just fine. In fact, I can’t criticize the packaging, you’d hardly expect a Mahogany box for a shirt-pocket People’s pen, would you?

I suspect the box is from a new VP, as the instructions are dated 12/08, fourteen years after this pen was made, so that made it especially nice that Todd threw that in. When I picked it up I was so excited to own my own Capless that I actually left the store and made it to the end of the street before I realized I’d left the pen in it’s box on the counter back at World Lux. We all had a good laugh about that.

Appearance & Design ( 9 / 10 )

My Namiki VP was made in 1994, and these pens have the colest retro-60’s look that I absolutely love. The faceted plastic body is a bit dated-looking now, but you can’t help but want to high-five the designer of this pen for that fantastic clip covering the section and the overall look of the pen.

I gave this pen a 9 here because of my personal predelection for it’s ingenoius design and just pure utility. It looks cool and people do a double-take when I hand it to them befcause after they click that big button they’re expecting a ballpoint in there.

Construction & Quality ( 7 / 10 )

This pen is just about exactly what you’d expect from an inexpensive pen in the ’90s. It’s well-made and works beautifully but the faceted barrel feels cheap and I worry about the barrel cracking around the screws holding the body together.

One small flaw in my particular pen is that there are two or three scratches on the barrl alongside the clip in parallel. I’m not concerned at all about the fact that they’re there, but rather it makes me question the longevity of this pen. Can it last thirty more years? Under normal use, most certainly, but it’s not going to look very good.

So I definitely will be avoiding dropping this pen, for it would surely mar. And accidentally stepping on this pen would almost certainly crack the barrel.

Weight & Dimensions ( 9 / 10 )

The VP is a lightweight pen and very comfortable to write with. I have large hands and the gentle taper of the barrel makes it very easy to hold. Later VPs got a wider barrel circumference, and that’s about the only thing I would wish for.

Some have complained about the clip placement on these pens interfering with the way they hold the pen but I don’t have a significant problem with it. The takeaway point here is make sure to think about holding one of these and writing a whole page before you buy one.

I scored the pen a 9 in this category because the size and design are nearly perfect for it’s intended use — a carry-around pen you can throw in any bag or clip to any pocket.

Nib & Performance ( 8.5 / 10 )

My particular VP came with a rarely-seen-in-the-wild B nib, and writes what I would call medium-wet. I feel like the nib has a bit of a sweet spot that’s minutely opposed to my natural writing angle but it’s so minor I am only mentioning it because I think it’s possible it could drive some writers crazy.

Writing is smooth and the pen easily keeps up with my most furious scribbling. This wasn’t the case initially, as you can see from the photo below, but soon enough the pen smoothed out for me after a few more pages. The pen also starts up every time I click it out of it’s little rabbit-hole, which is something I can’t honestly say about even my beloved Estie J.

I rated the pen an 8.5 in this category because it works exactly as I hoped it would — medium wet, teeny bit of tooth, and it’s a one-handed click away from gliding across any page.

Filling System & Maintenance ( 8 / 10 )

The VP comes with the ability to use cartridges or a cheap but functional standard-issue plate-press type converter that is simple to use and easy to clean.

One could certainly find fault with the small amount of ink the converter holds relative to a piston filler, but to me this is a necessary trade-off because of the one-handed design. I write quite a bit and I only have to fill up the pen every other day or less, so it holds plenty of ink for daily use. My cell phone requires a lot more maintenance than this pen.

Cost & Value ( 8.5 / 10 )

This pen cost me us$80 and I feel like I got a great deal. That is just about the lower end of the going rate for these and because I bought it from a private local seller, I was able to save tax and shipping.

I must point out thought that if I were buying a new pen today, and not a vintage one, the plastic-y barrel would probably not be acceptable at that price. In fact that’s the only reason I rated the VP an 8.5 in this category instead of a 9.

Conclusion ( 8.5 / 10 )

My only real complaint about the Namiki Vanishing Poing is the plastic barrel. Taken as a whole, this pen delivers exactly what it advertises: an extremely stylish, ingenious, one-handed retractable fountain pen that is a pleasure to write with and never seems to leak or fail me.

Got a new pen, new ink, wrote a letter

Today I went over to World Lux here in Seattle and met with Todd Craver, who sold me his personal Namiki / Pilot Vanishing Point (ca. 1994). Todd is a super nice guy and enthusiastically helped me pick out a couple of new inks to try (Midnight Blues and Orange Crush, both from Private Reserve) and clearly has a real love of pens. I have no affiliation with those guys except being in the same city and loving pens, I just wanted to make sure to mention how nice they are over there. Especially Todd, who practically read my mind when he said “I think you’d like a Vanishing Point…”

So not only was I able to ink up my old daily workhorse Estie J with Orange Crush (it has a broad-writing medium 2968 nib!), I got to use my new VP with the Midnight Blue too. I thought I would share a few pictures I took of the goods, and finally a letter I wrote to a dear friend with my new pen.

Click to jump to the larger flickr pages for these shots (cilck the [i]All Sizes[/i] button on the page for the two largest versions).

Sitting at Bauhaus Coffee Seattle inking my VP and Estie

New Vanishing Point and my Estie J

Last Midnight Blue for the Estie

Esterbrook J Nib closeup

Test page with my new Pilot / Namiki Vanishing Point and Private Reserve Ink’s Midnight Blues

Private Reserve’s Orange Crush, about to go into my Esterbrok J

This is how I know I’m having fun!

Forgive the quality of this one, it’s not from my LX-3, it’s my iPhone.
New color ink for my 1950 Estie J – Orange Crush by Private Reserve

A letter to my friend in Sacramento.

Privacy Gets Smart

I’ll use any excuse to make an obscure Get Smart reference, but this time I barely even have to work for it! Some very smart agents designers have conceptualised* the Cones of Silence for the 21st century, the Veasyble!

Veasyble1

Based around the notions of
isolation, intimacy and ornament, the origami-esque accessories are not
only beautiful objects, but an interesting slice of social commentary
to boot.
Created from polyethylene, paper and fabric, the various scales cater for different forms of privacy and intimacy.

Veasyble2

Designed by Gloria Pizzilli, Arianna Petrakis, Ilaria Pacini and Adele Bacci, there are four seperate accessories that aim to give a little bit of peace in world overrun by KAOS…err, I mean, chaos.

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In the words of the designers:

A strong, dominant exterior that conceals a fragile, personal interior.

An ornament that can be worn.
A gesture to transform it.
A secret place for personal intimacy.
A reminder of our exterior aspect. 

Or in my words, a sexy slinky/accordion/hoodie lovechild that would have Agent 86 whipping out his shoephone and ordering the lot!

* Conceptual = Not necessarily meant for the ‘real world’** or production lines (which is why conceptual designs are often so interesting and engaging.)

** But hey, what do I know? This could totally take off, and next thing you know we’ll be seeing Veasyble derivatives strutting down the catwalks of the world!

[via Fubiz]

Flexible Love Seat

Flexibleseater.

Ever wonder where all those moving boxes go once you leave them by the dumpster?  Created by Taiwanese designer,  Chishen Shiu, the “Flexible Love” love seat  is made of cardboard and can be drawn out like an accordion.  Shiu stumbled upon a small factory producing ‘honeycombed’ sheets of recycled paper in suburban Taipei one day. 

It’s flexibility allows the piece to transform from a small package that can be easily stored under the bed into a chair or bench seat fitting up 8 people or the extended version which seats 16. It comes in one color – cardboard brown.   No longer do you have to store all those foldable chairs for unexpected or even expected visitors.   Best of all, it’s entirely environmentally friendly, made from 100% recycled material.  As they say fashion forward and environmentally smart.   

Flexiblesloveseat2
Flexiblesloveseat3
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See it in action or rather video

Have an infinitely modern day!